SANDER PROSI IN THE PANTHEON OF IMMORTALITY!

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"People's Artist" in the pantheon of immortality. Albanian acting icon!

Sander Prosi (1920 – 1985) has been missing from the Albanian scene for some time, but not from the Albanian spirit. Has remained forever in the film as the epitome symbol of efforts for the light of knowledge, the path of Albanian letters and Albanian independence. It is his voice and image that will take us on our way to the new millennia, with the only passport, our identity as Albanians. Therefore, he will be in the memory of the nation forever, in the pantheon of immortality. For more than three decades, Sandër Prosi created over 80 roles in theater and cinematography, separated from 75 works by foreign authors and local. His acting class made neither of them look like the other. They were so different and for this reason they became quite popular and liked by the public. The straight body, the noble appearance, an incomparable scenic light, the warm gaze, the plasticity and strength of his speech, the special voice gave this actor the proportions of a great stage artist, who was naturally engraved in the audience. Through the inner monologue, the artist revealed all the concerns, preoccupations and thoughts of the character. An artist with a very fine, very special creative profile. The individuality that characterizes Sander Prosi is noticeable, not only in what he has done, but also in the unity of thought and feeling. As a smart actor, I penetrate into the depth of the roles to their darkest recesses, unraveling the psychology of the character in detail. He has played various roles and has never been the same. He knows the emotional world of the character very well. The roles interpreted by him are both vital and natural, where simplicity stands out in the range of interpretations. He plays in the theater and imitates life, but raises it to the level of the impossible, where high aesthetics shine. In the monologues of the dramas performed by him, the tragic and the comic are beautifully interwoven, the actor moves from one situation to another while maintaining a sense of proportion. He acts like a madman, but deep inside him is the consciousness of the artist to understand the essence of the role, the message of the public. People's Artist director Piro Mani said "Sandri seems to have been born to play Horat in "Hamlet". Sandri is one of the most realized figures". The actor Sander Prosi himself said: "Talent develops from the feeling of love for work". Sander Prosit's art stood out from among the figures interpreted from the years 1953, where he interprets Von Shubes, Vata, the waiter Mitka, continues with Zabelini, excels in the Prefect, where the artist unfolds a wide range of comic situations with unusual skill. In the role of Isa Boletini, he stood out as the interpreter of the ardent patriot, the great freedom fighter with whom this brilliant talent was identified. Some of his most prominent roles on the stage of the theater, which were interpreted with creative originality, with special national emotions and features, even though these works were crippled by the ideo-political viewpoint of the time, still these roles had their characteristics and features.

  Theater activity:
(1948 - 1971)
People's Theatre
1948 – PREFECT..........Shaqir Aga
1949 – DEEP ROOTS.......Sheriff
GOVERNOR OF THE PROVINCE.....Col. James Hill
THE CHARACTER OF MOSCOW.......
1950 – MUKUR DUBRAVA....Pavel Krubla
1953 – HALIL AND HAJRIA.....Beytash Aga
1954 – THE AUDITOR.....The waiter of the inn
1953 – OTHELLO......
1953 – THE FLOOD.....Leon Shtube
1954 – OUR LAND.......Vata
1955 – THE BIG WEDDING....Zija Bey
IN THE LILAC GARDEN...Riboev
THE LEIPZING PROCESS........Vogti
1955 – THE FISHERMAN'S FAMILY............
1956 – THE FURIOUS LAMB...Mitika Ionescu
1956 – ENEMIES....Zakov Barein
SUCCESS IN LIFE.....Peter Avarini
1957 – DUTY....... Lieutenant Rrapo
1957 – INTRIGUE AND LOVE..Waiter
THE STRANGE.....Painter Qamil
IN GENES...................................
KREMLIN HOURS......................
1957 – SEVEN SHALJANET... Vuksan Gjoni
YOUNG..........
1959 – THE MERRY WOMEN OF WINDSOR..Pore`
A LOST LETTER...................
IN THE STORM.........Dik Bajraktari
1960 – HAMLET....Morat
1960 – THE DRAGON OF DRAGOBISE...Isa Boletini
1961 – THE MAN WITH THE GUN...........
WOUND BOY.... Lembit Padanja
THE FOX AND THE GRAPES..............Aesop
THE GOOD BRAVE WITH MANY FRIENDS...Moisi Golemi
1962 – ABOVE GERMADHA...Fuati
1962 – ARTUNI....Gai Kurunzani
SLIDING.......Stavri
1963 – VOTRA E HUJ....Marku
1963 – OTHELLO.....Othello
1963–THE FINAL OF THE TEAM..Granatov
1964 – MONSERRA...Monserra
1964 – OTHELLO.....Othello
1964 – UNCLE VANJA..........
1966 – THE FREE KING...The Earl of Gloucester
THE GREAT IMPREGNABLE WALL.. He Cung / No. 78
14 YEARS OLD BRIDEGROOM...Vangeli
THREE RIFLE SHOT.....Ali Bey
PERKOLJINAJT........John
1967 – THE CHICK OF THE MOUNTAINS.....The Investigator
1968 – CATIA OF EVERYONE...Uncle Nini
SECOND FACE.....Andrea
1969 – SHOCKS...........................
TWENTY DAYS...................
AFTER TWO YEARS........................
1970 – THE IRREVOCABLE...Candidate of Sciences
1971 – A BRIDE FOR STACI...Director
ARTURO UI...Lawyer
A SHORT WINTER....The painter
etc......
Source : Various online Albanian newspapers, "Popular Theater" / Archive & Channel One. March 25, 2015. Retrieved 12-28-2020

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