Kristaq Skrami well-known actor of Albanian Theater and Cinematography. Meritorious Artist. For a period of time he covered the role of director of the National Theatre. He was born in Vlore on August 16, 1956. He studied at the High Institute of Arts as an actor in 1981. Immediately afterwards he was appointed an actor in the "Petro Marko" Theater – Vlore. In fact, in v. In 1977, he became active as a protagonist in the role of Bujar from this troupe in the successful show "Rruga Budi 723. Throughout his artistic activity as an actor, he performed about 50 roles. Among the most prominent figures in the theater scene are those who played in the dramas "Rruga Budi 723"; Comrade Zylo”; "Communication of the 7th"; "Rivieres coffee winter season"; "Three minds at auction"; "Rhino"; "Blerta… etc."; "Far from Otranto"; "Sacrifice"; "Snowman"; "Morsa"; "Before the traffic light". He has staged several shows as a director such as "Morsa"; "Terrorist of a city"; "Ah my kidneys"; "Knights". In addition to being an actor, he worked for 12 years as the director of the Vlore Theater, while in 2006 he was appointed director of the National Theatre. 
He has performed 10-12 roles in cinematography, starting with that of Victor in the film "On the border of two legends" – 1981; Among his most important roles are: Alerti – On the verge of freedom (1981); Agroni – Love your name (1984); Petriti – The First Voyage (1984); Iliri – Spring did not come alone (1988); Freddy – Life in the hands of another (1990). Other films : The radio operator in "Gracka" (1983) / Ashimi in "One more life" (1983) / Gjergji in "Bote e invisible" (1987). At the VIII and IX Albanian Film Festivals, he was awarded prizes for artistic achievements, such as in the films "Love your name" and "Spring did not come alone". It is characterized by a natural, effortless game, which aims to have a psychological impact on the character, but without confusion, anxieties and extreme momentum. With pleasing physical gifts and an attractive portrait for positive formats, he is more strongly oriented towards the embodiment of good, noble, kind-hearted and virtuous people, unlike romantic heroes, bearers of broad national or social ideas and interests, the format which he has successfully broken several times after the 90's in roles with different characters. 
_____________ Albanian cinematography in activity since 2013 Reference: Encyclopedia of Albanian Cinematography – Toena 2002 / AT Hoxha / p. 357 / Albanian Encyclopedia, Theater and Cinematography – Toena 2009 / J. Papagjoni / p. 424.
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