Natasha Andoni Actors of small roles!

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#KinematografiaShqiptare #AktoreshProfile #Natasha Andoni Natasha Andoni Actress of the theater "Bylis" Fier and "AZ Cajupi", Korce! He was born in Gramsh on February 1, 1955. He graduated from the "Jordan Misja" artistic high school for music theory in 1974, and later from the High Institute of Arts for acting in 1978. After finishing his studies, he worked as an actress in the theater "Bylis te Fieri" for three years. From 1983, she continued her artistic career in the "AZCajupi" theater in Korce. Her interpretative game is permeated by a sensitivity that comes and imposes itself, gradually thanks to her temperament and clear diction, while she is naturally attracted by energy and rhythm, preferring the tension of relations with partners. Natasha Andoni stands out in the role of Lizette in the drama "Two Christmases in Paris" (1982) by the authors Pellumb Kulla and Sheri Mita. Later, she has an increase in values in the role of Ben Johnson's Volpone's servant, and further that of the mother in R. Pulaha's "Denunciation" to finally break the acting format, considering already some difficult comic characters like her of Dorine in Moliere's "Avarice", with which he gave impetus and passion to a vigorous physical and plastic, but also social action, enlivening the spiritual bearing that comes from it, as well as the Molierean word, in general. Performed with the choir troupe in Adelina Balashi's comedy "Jovan Bregu refugee" Another interesting figure was that of the mother in Ruzhdi Pulaha's comedy "Time without a name" (2004), where I gracefully interweave the comic and the burlesque element, on the one hand with the drama that came from the condition and the ingrained instinct of fear and alienation over the years. of the dictatorship, on the other hand. With the role of Stella in Petri Kocibelli's comedy "We invite you to my father's wedding", she won first prize at the Festival of Albanian Theaters in Diber, Macedonia in 2008. ____________ Reference: "Encyclopedia of Albanian Theater and Cinematography" – Toena 2009 / J. Papagjoni (p. 26). Published for the first time on Facebook on the page "Albanian Cinema" since January 2017

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