Hajrie Sula ( – 2014) Professional stage actress from Shkodra and Tirana. Hajrie Sula is part of those forgotten actresses, even though she was one of the most popular artists of the Shkodra stage in the field of humor and satire. It belongs to the first core of Shkodran professional humor. It belongs to the '65s. It was a talent that blossomed quickly and faded quickly. "Star of the scene…" – actor Tano Banushi (AP) called his colleague. 
Her talent radiated art and beauty, which was always rewarded with constant applause from the Shkodra audience. He started his artistic journey at the Shkodra Estrada. She was still a young girl, simple, uncomplicated, and above all with an eye that definitely made her an expressive actress. She performed professionally, creating her profile alongside actors such as: Tano Banushi, Hasan Smaja, Paulin Preka, and other well-known actresses of the time. It had a special smell and in what it did it was organic and suggestive. 
Hajrie's interpretations had something special, an unrepeatable individuality. From premiere to premiere, it brought new phenomena in communication with the viewer. At that time, Tano Banushi created the cycle-parody: "Dulla e Havusha", which resisted for a long time. This cycle made Hajrien one of the most prominent actresses. Dulla or Dullesha, Hava or Havusha entered in a strange way, especially in the Shkodran humor, in everyday human vocabulary. In the successful years when Hajria was part of Shkodra's variety show, suddenly the ups and downs of life followed her from behind and the applause of her beloved Shkodra audience stopped. After a few years, she came to the Estrada of Tirana, but she was already more mature. Even in the premieres of this variety show, her talent immediately stood out alongside Melpomeni Çobani, Skënder Sallak, Enver Dauti, etc. Her interpretations full of sweetness here too, had the same success and ranked her among the most sought-after actresses in pop. Being a plastically workable, laconic and concrete actress, she managed to create a catalog of roles, in which there was a woman, an old woman, a child, a girl, etc. 
In the Estrada of Tirana, a cycle of sketches with current content of the day was created, in which Hajria created dozens of types of women from the north to the south. Precisely for this cycle, the management of the variety show decided to propose the actress Hajrie Sula for the title of 'Deserved Artist' with the support of the entire team, and so it was done. After two days, they call him to the directorate and inform him of his layoff and transfer to production. It was the year 1975 when he was sent to the "Dinamo" Plant to never return to the professional scene. Very soon she raised the amateur group of the plant with which she not only shone, but was surrounded by the love of ordinary people. (up to this point the text is probably Mr. Xh. Bushati's only source of information) She has also performed in two feature films of the comedy genre "Estrada ne ekran" (1968) and "When the masks are removed" (1975). Especially in this film, even though the fact is obvious, no one remembered to publish a photo of her from this film as she performed alongside the great comedian, Skender Sallaku (AP). Mrs. Hajrie Sula closed her eyes in Liege, Belgium in 2014 from a serious and incurable disease. Longing for his hometown, which gave life to art and blessed him with the talent of Shkodran humor, always lived in his heart. 
Meanwhile, on the contrary, her personal file does not exist in the "Migjeni" Theater in Shkodra. There is not even a date or year of birth marked anywhere (even if you try to search)……This is the "reward" that is given to our artists, especially those who are not alive, who leave this world with a big pledge, with the contribution and values denied in the performing arts. It was published for the first time on the page "Albanian cinematography" on Facebook in January 2020. ______________ Albanian cinematography in activity since 2013 NOTE: A part of the text is taken from the book "Memory of a city" – Teatri Migjeni / albas 2020 / XH. Bushati / p. 106.
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