"Blue field, red field" on the pages of the newspaper "Popular Sport" (1985)! Our life, rich with wide interests, is also complete with sports… Now in some sports we can rightly be proud of achieving contemporary international levels, but especially with a visible massification…. These phenomena, without a doubt, cannot attract the attention of literature and arts, there is no way to leave them aside…. An example that deserves to be welcomed is Kinostudio's new film "Sxqiperia e Re" with wide screen "Red field, blue field" … as a film of first, perhaps full of this subject, takes the subject in the war years, where all our achievements have their roots. 
It was the demand of the time in those years that the few sports activities turned into powerful anti-fascist manifestations and the green fields where they took place slowly turned into red fields…. The authors of the script, Gezim Erebara and Skifter Kellici, relying on a rich factual material, have given us an artistic work with a simple fable, with an antagonistic conflict that develops gradually. Fascist hierarchies try to use football matches for their own demagogic interests. our teams "Shpresa" and "Rufeja" without doing well. 
The communists, enriching the patriotic and patriotic feelings of the sports-loving people with the class hatred against the invaders, fighting against the "apoliticism" of Philip and anyone else, which under those conditions and as always, is recruitment in the service of the enemy, turn the football match into a weapons of war. 
Tearing down the fences with barbed wire – a symbol of the occupier – the popular hatred erupts like a hurricane. But this war is not a square with flowers. It is a war that, with the blood of its sports martyrs, turns the green field into a red field. Here this film takes on a heroic tone! On this dramaturgical material, the film group under the direction of the director Gezim Erebara, aimed to give us a dynamic film with wide breathing. It is worth noting the striking realism of the film's finale with a lively mise-en-scene, with rhythm, in accordance with the situation, creating vital emotions thanks to the change of the large, close-up, portrait and expressive detail, with different angles. the view from the camera of Gavrosh Haxhihysen and Mihal Rames. 
Even the music of the composer Aleksander Lalo emotionally enriches the dramaturgical development of events and key moments. The group of actresses has been chosen correctly. Although they take up little space, Demir Hyskja (AP) stands out; Rescue Shemili; Bep Shiroka (AM); Enver Dauti (AM); Alexander Pogace; Ferdinand Radi; Pandi Siku; Besim Kasa; Minella Borova; Anton Caesar; Ilir Bezhani; Rabie Hyka; Agim Brojka; Plant Agron; Sofika Bashari etc. 
What about football actresses? "At first I was worried. The film was looking for actresses who would play football. But this difficulty was easily overcome. Many of our actresses play football and they don't play badly. Like many of the young footballers, they don't appear in front of the cameras in the film" – says the director Gezim Erebara. 
And indeed! In addition to the prominent and acting game of Xhevdet Ferri, Alfred Bualoti, Vasian Lam, Benon Lopar, Grigor Stavri, Shkelqim Dajes, we noticed technical skills in the use of the ball, beautiful shots, and dexterity with the ball in front of the opponent. These are features of our youth with all-round harmonious development. By: Zehrudin Dokle "Popular Sport" – Sports themes in our cinematography February 19, 1985 / p. 3 © Reserved material The exclusivity on this page is dated February 1, 2022 ____________ Albanian cinematography in activity since 2013
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